David.

My father deserved better. Not to say he was not loved deeply, unconditionally, and exquisitely by his wife, his family, and his Lord and Savior, but this earth is a harsh and haggard place for black boys and black men and my father had dreams of a better world than this one—for himself and his loved ones and for all of humanity. I know that better world has finally been provided to him—a world without suffering. A world of eternal peace. A man as great as David Eaton deserves no less.

But we who remain on this earth are now without the peace that he afforded us. My father was such a quiet man. A man of few words. Of stillness. But the best thing about my father was that sitting in silence with him was never uncomfortable. It was extraordinarily peaceful to be enveloped in his grace. My father had the skill to put people at ease, likely because he was so forgiving and so accepting of others as they were. Flawed but genuine. David Eaton did not hold a man’s mistakes against him. Instead he always chose to encourage without belittlement or shame. My father was the type of man who made you want to do better and achieve more simply because he believed in you. The strength of his conviction was that powerful.  

What is there to say about my father? He was extraordinarily bright. My father loved machines —cars in particular—and it seemed like he could fix anything if you gave him enough time to observe the problem. He was gifted when it came to repairing and healing—things and people.

Even though my father retired at 62, he never stopped “working.” He might not have punched a time clock, but before cancer consumed him he would rise early in the morning and start his routine. He would start by making breakfast for himself and my mother—eggs, bacon, hash browns, toast, and hot coffee—and would set aside a plate for Mom to have when she woke up an hour or two later. And then he would sit in his favorite easy chair and eat. And after a few moments of reflection, he would go outside and work until late afternoon. He would either tinker with his automobiles, or tend to the lawn, or fix any item that had broken the day before. There was always something that could use fixing or improving according to my father. He was not happy unless he was productive and showed his love often not through words, but through his actions. You knew he loved you because he provided for you. You knew he loved you because he built things for you.

My father was not flashy. My goodness, he would wear worn jeans and threadbare flannels and work boots nearly every day. He believed a man’s worth was not carried on his back or in his wallet but found in what he could produce with his hands. His labor.

My father was a hard-working man. 

My father was not prone to anger. I don’t think I’d ever heard my father truly raise his voice. And I’d never seen him raise his hand. And though he looked so much like my grandfather, my father carried my grandmother’s mannerisms. He exhibited her kindness, her gentleness, and her extreme loyalty. I love him still and he was a gift from God to me and to the Eaton family.


Bruised fruit is still sweet.

I exist because my grandfather escaped his intended lynching—an issue regarding alleged impropriety with a white woman—by about twenty minutes. He fled north, later meeting my grandmother. I had always assumed that my maternal grandparents, both native Georgians, met down south and moved to New York together. Apparently that was not the case.

However, this is not about me. I am not so egotistical to believe that I am the final step in some grand and intricate design of fate! But it is astounding to reflect on how such small moments have a monumental impact on families and societies and nations. It is not that I exist because my grandfather was able to escape a band of murderous terrorists—it is that so many exist. A whole tribe of people who draw breath because one man had the savvy and ingenuity to escape those determined to extinguish his.  

I’m impressed—and not surprised that I only learned of this in 2019. African Americans have the tendency to bury the pain and the injustices inflicted upon them to spare their children and grandchildren. Perhaps we feel that our offspring should be kept from the knowledge of such horrors. Even as an adult the awareness is nearly crippling, to know all of the ways the people who loved you suffered and to know that they will never see justice. Ever. It’s an anger that can break you. But what does not kill you makes you stronger. And what does not break you can nourish and sustain you—compel you to draw a line in the sand and ensure that it will never happen again. You destroy a people when you bury their history. You empower them when you uncover it.


Ferguson.

I forced myself to go to sleep at a decent hour last night. I hadn’t gotten a good night’s sleep since Mike Brown’s lids had closed forever—every waking moment since his last spent refreshing screens and consuming information and caffeine in likely dangerous quantities. A complete abandonment of any kind of long-form writing occurred; my words, angry and erratic, were quickly shot off via Twitter and Tumblr.

I’m still angry—for the obvious reasons. I’m angry that black life is worthless to people who are not black in America (and to some who are). I’m angry that Americans believe that we deserve the inequality heaped upon us for the crime of simply being black. The murder. The harassment. The silencing. The erasure. The blackballing. The punishment. I’m mad that many Americans still view black people as solely an inexhaustible resource to exploit, leeching from black communities and black cultures while promoting anti-blackness and purporting to speak for while speaking over black people.

But for the first time in a very long time I am also grateful. Because for all the comparisons between Ferguson and Selma, Ferguson is very different. Technology has provided black people the ability to burrow past the mainstream media and allow for black people to have a voice. And that voice is strong and unfiltered on Twitter and on Tumblr and in personal journals. And yes, the voice contradicts itself because black people are not a monolith and have a beautiful and infuriating and brilliant array of ideas.

We have never had a situation where black voices could not be crushed or warped beyond their meaning before. The television stations are owned by white people. The movie studios are owned by white people. The newspapers are owned by white people. The music labels are owned by white people. The radio stations are owned by white people. The publishing houses are owned by white people. They are owned by those who have been taught that black life and black cultures are worthless. And their teachings show in their word choice. It shows in the promotion and overexposure of negative depictions of black people. It shows in the dearth of positive voices. It shows in the selection of only black employees and clients who will mimic the tropes regarding black people that they have come to hold dear—the big black buck, the Jezebel, the tragic mulatto, the Sapphire, the Mammy, the minstrel—or it shows in the selection of no black people at all.

And for a very long time? It worked, churning out anti-black propaganda for centuries like a well-oiled machine, with black people having little recourse to combat it because we owned next to nothing. We stood on soap boxes, screaming to anyone who would listen that we were human and of worth, while those who opposed us controlled screens and airwaves across the nation.

That is thankfully no longer the situation we find ourselves in. When the mainstream media erroneously claimed black looters had taken control of Ferguson last night, black people were able to effectively use modern technology—affordable to most Americans—to show young black people protecting stores, not looting them. Pictures of black men using their own bodies as barriers with police nowhere in sight or on site to provide assistance, popped up across Twitter, gaining power with each reblog, barreling into the public consciousness. While Fox News is able to alter reality for a segment of old, technology-averse people salivating for tales of the black savage, their children and grandchildren are pulling up apps to hear directly from black men themselves. That is new and so very necessary.

And it is not just the news that affordable technology has altered. Black art is now able to reach the masses in an unfiltered state via online organizations such as Kickstarter and Indiegogo, allowing black creators to obtain the funds necessary to compete with the output of major publishing houses and movie studios that shun or subvert them. Square allows creators to sell directly to the people. WordPress and Tumblr allow black writers to reach an international audience in seconds. The means of distribution are no longer solely owned by white people; black art cannot be papered over mere moments after its creation. The mainstream media will most certainly continue to attempt to drown out or alter black voices, but those voices have been amplified by technology and sharpened by fury and determination. The task won’t be nearly as easy.

And I’m glad.


Thank hue.

Shout out to every redboned militant in my family who knew the deal. Who lovingly painted angels brown so their babies would feel welcome at Christmastime. Who shook their heads and chuckled at the women using umbrellas on sunny days so that their little girls would see how ridiculous it looked, and how sad it would be to deprive the skin of sunshine.

Shout out to the light-brights who wove art into Afros while their wavy locks snapped in summer breezes. Who bought chocolate-hued Barbies by the armload. Who told their daughters that God made them the color they were because they were as sweet as cinnamon and should look like it too. Who used jobs their fair skin clearly afforded them to feed a family so very many shades of black.

Shout out to the high yellows who knew that the road would be hard for the daughters they sired who had been cloaked in the skin of the men they loved so, so deeply. Who were furious that the world would try to deny their children their rightful place by their side in all things. And so they would do all they could to support them and love them, to do battle until the world loved and supported them too.


One blood.

“You’ve never heard about West Indians being cheap?”

The question had been leveled at me by my mother’s longtime friend, who was clearly amused and surprised by my ignorance. Her tone, teasing and with a musical lilt, was devoid of an iota of maliciousness.

“No! I’ve never heard that before!” I was now fascinated, as if I had come across an old family secret that I’d now been deemed mature enough to handle.

My mother’s friend called out to her, eager to acquire an additional testimonial. “You ever hear about West Indians being cheap?”

My mother didn’t even bother to look up from the laundry she sorted to field such a simple question. “Oh, yeah! The cheapest, honey!”

The matter was settled. “You know your husband is of West Indian descent, right?” I pointed to my father, whose family had come from St. Vincent and Haiti to find a better life here in America. I feigned disdain, but my motives were clear. My father is notoriously and hilariously cheap.

“Well…” My mother’s voice trailed off. A pregnant pause held in the air for a brief moment, and then, like rainfall after a snap of lightning, the jokes flowed like water—torrential, ceaseless.

For so many who see black people as a monolith, who cannot even comprehend the possibility of multiple black cultures, the above anecdote likely comes as a surprise. Yet in my mother’s house that day, filled solely with black people, there was a wealth of diversity borne from countless unique cultures, and a gentle familiar ribbing that is allowed due to shared racial experiences. I am American; African and Caribbean blacks are my cousins—sometimes literally. I tease my family and my family teases me, but I will love and stand with them. Always.

Had a non-black person been in my mother’s house that day and dared comment on West Indian penny-pinching, or African arrogance, or American idleness, he would have been verbally eviscerated for not knowing his place as an outsider who has happened to be made privy to “family” in-jokes—jokes that none of us truly believe or take seriously. I have been in the midst of a group of Filipino, Korean, and Chinese individuals teasing each other regarding which Asian ethnicity is the most racist and possesses the worst accent. I have been made privy to intentionally silly conversations regarding whether Puerto Rican or Dominican men are better lovers. And I’m sure somewhere an Irishman, an Englishman, and a Scot are jovially arguing about some trait that—as a black person and an American—is not for me to comment upon, no matter how many Europeans I call friends. I may be a beloved visitor, but I am not family. Oh, you want my opinion? Nah, I’m good. I’m simply honored that you feel relaxed enough in my company to speak freely and will enjoy the camaraderie. I have enough common sense and respect for those present to refrain from commenting, no matter who is willing to “cosign” for me.

“So, how come white people can’t say nigger and black people say it all the time?”

All the time? All of them? I won’t even address that part. But the answer is for the reasons stated above. The phrase often removed from the query is “without being considered a racist.” Please note that if you have typed some version of this question your disrespect and ignorance is completely exhausting and you are a blight upon every message board in existence. You cannot be jailed for saying nigger. You cannot be killed for saying itnot without rightfully severe legal repercussions for your murderer. You may lose a friend, a job, or a romantic partner—but you don’t have a right to those things. It’s “life, liberty, and the pursuit of happiness,” buddy. You can’t complain simply because you don’t have the common sense to pursue it efficiently. Perhaps next time you should try not being a bigot.

I don’t use the word nigger. I find it distasteful. But should I have a change of heart tomorrow and make the slur every fourth word I utter, I would not be considered a racist. I am black. My status is not one of an outsider. Due to shared racial experiences, I am “family.”

The problem is that many non-blacks, including all who have asked the question in question, refuse to accept an outsider status. The idea of being an outsider, even in a role that is respected and cherished (for example, Eminem or Teena Marie), makes them irate. How dare black people—these lesser people—deny us anything? How dare they have something to which we are not provided access? These people feel that not one shred of respect or privacy should be afforded to black people. Non-blacks who demand use of the word nigger sans negative social consequence feel that black Americans should be stripped of all elements of their culture for the consumption of others. For them, to be black is to be a constant performer—a jester for amusement. Black cultures are merely products to try on. Twerk team! S’up, nigga? Shade! Every ounce of every black culture should be splayed open to sample. They demand black people acquiesce dominion over any portion of any black culture should a person who is not black desire it.

And therein lies the issue. For in this age of globalization, it is a wonderful thing to share one’s culture with others. How fabulous is it that I can hear hip-hop from Romania, eat pad thai, and wear chancletas? S’great. But I know that when I immerse myself in a culture that is not my own, I act as a visitor or an ambassador. I do not get to assume ownership of that culture, and if the denizens of that region feel there are cultural rites I should not have access to? That’s fine. Would I love to dance in an Indian headdress? Omigaaawd, who wouldn’t? But this would offend many Native people. And so it is not appropriate for me to do so. I accept that. And for the record, I have Native ancestors and I still know there are lines I should not cross. Though I am “blood,” I am not “family.”

In other words, your black friends are not a valid excuse for your use of the word nigger. You are making them look corny, spineless, and anxious for approval. Stop embarrassing them. Stahp.

Unlike a weeaboo or an Anglophile, who comes across as desperate yet deferential, non-blacks who use the word nigger (or nigga) assume a disrespectful and dismissive position of dominance over black American culture. It is akin to walking unannounced into a stranger’s living room and putting your muddy feet upon their coffee table. “Well, they have their feet on the coffee table,” you cry. “Why can’t I do the same?” The answer is simple.

You aren’t family and it’s not your house.


Labels.

“Cheryl Lynn, you will have your first and last dollar.” My mother says it with a blend of mirth, surprise, and exasperation—as if she cannot believe she produced a child who behaves in such a practical manner, a child who would dare complain that she had to spend twenty-four dollars on a purse due to the old one falling apart at the seams. My mother possesses a walk-in closet full of purses. Not one could be purchased for twenty-four dollars. The glint of a gold circle surrounding a bold M and K—the lack of one separating my leather satchel from her assortment—costs a great deal more.

Yet, my mother is a child of poverty; I am a child of the working-class struggle. She needs her talismans, her high-end upmarket logos, to make her feel as if she is of worth. I was taught to fear them, to believe that obtaining them would bring about financial ruin. I’ve jokingly told many friends that I’m glad I grew up working class instead of rich, middle class, or poor because it has made me so paranoid about money that I’ll never purchase designer labels. Black working-class kids are raised to believe that one wrong move will have you back in the ghetto where your parents came from. Working-class kids are raised on fear.

I have friends who grew up (and are still) wealthy. Michael Kors bag? “Oh, I’ll take this.” They do not even remain engaged during commercial transactions. Their attention drifts elsewhere as items are rung up. They do not look at price tags. In contrast, those who are middle class always look at the tag, but yet price does not seem to be a deterrent. There is an initial flinch, but the purchase is still made. “It’s a lot, but we’ll find a way.” Middle-class kids are taught to hope for the best. Rich kids are taught to expect it.

For poor kids there is no hope. Yet, purchases are still made. What’s the point of saving? You can’t fall any further and you’ll never have that deluxe apartment in the sky, so might as well cop those sneakers, right? And so children of the ghetto will stand in line for an exclusive—and expensive—pair of Nikes. Women will gather every last dime for a pair of Louboutins—and yet may not even possess the knowledge to properly pronounce Christian’s last name. I have had to correct my mother multiple times on the correct pronunciation of Movado. She owns one of their signature watches; I do not. For those marked by poverty, logos and labels are masks. They are an attempt to pass as a member of the “elite,” to appear “respectable.” But for those who are black and brown, the respect, though deserved, does not come. Red bottoms are not glass slippers.

“I like nice things. And I’ve worked hard!” My mother has indeed worked hard. And everyone likes nice things. But when I asked my mother if she would still purchase luxury items if no one else knew she owned them, she appeared shocked for a moment and then laughed. “No! What’s the point in that?”

There is no point in either the purchase or the announcement of it. Her purchases are tickets to an arena where she will never be accepted because of her race. We are told time and time again how blackness “devalues” a brand, of executives who blanched when informed that their product had become popular amongst racial and ethnic minorities. We are to be felt (i.e., provide money and labor), but not seen. Black and brown children of poverty are told that they are nothing without a proper label. Once they have sacrificed everything to obtain said label? They are told the label is worthless due to too many of them having it. To add insult to injury, what black and brown children of poverty do produce for themselves on a massively limited budget is then co-opted by the artistic elite to provide to rich whites seeking something novel. Flesh is co-opted. A Native headdress for a music video; blackamoor earrings for an art gallery opening—brown bodies become white accessories.

There is a need—for all of us—to closely examine the purchases we make and why we make them, to examine what—or who—is allowed to become a commodity, and to reflect on how the logos we wear intersect with the culture that labels us. Not one of us is immune. Even as I boast about my practicality, I can still admit to feeling subpar when shopping with friends. Just last weekend, a date to go shopping for vintage items went horribly wrong when I discovered that rich people go boutiques, not thrift stores. And as I looked at used designer bags that were beyond my budget, I felt less than those around me—not enough to give up my dream of home ownership for a collection of Birkin bags, but small nonetheless. And I have no solution as to how to stop it. But perhaps in coming together to discuss the intersection of fashion, class, and race we can—literally—loosen the ties that bind us through the recognition of them.